live at honen-in temple is a document of a one-off site-specific performance in one of the most impressive settings a live electronic concert could possibly ever have. featuring a wealth of new and unreleased material, stefan goldmann has custom-tailored a sound world as clearly detailed as the hidden gardens of honen-in.

the 1970s saw winston wright working closely with dynamic sounds studios nucleus of musicians cutting material for all the top producers of the time including numerous sides for bunny striker lee, which we have focused on for this set of tunes. from 1975 onwards winston wright was a member of toots and the maytals touring band, but we celebrate here his mighty fine studio work. adding his touches to many a fine rhythm as only winston could we hope you enjoy the set.

sound signature release of the long overdue 10 track debut album of marcellus pittman showcasing his talents

mit neneh cherry hŠtte wohl kaum noch jemand gerechnet. erst recht nicht damit, dass die stimme von 7 seconds an der seite eines free-jazz-trios suicide covert. zwischen neneh cherry und the thing hat es offenbar gefunkt. vor zwei jahren trafen die prominente sŠngerin und das radikale free-jazz-trio erstmals zusammen, nun haben sie gemeinsam ein album eingespielt. angesichts der hits von neneh cherry, die sich zwischen hiphop, soul und ethno bewegten, mutet ihr comeback-projekt abwegig an. betrachtet man jedoch die familiŠren hintergrŸnde, liegt die kollaboration eigentlich auf der hand: neneh cherry ist die tochter des jazzmusikers don cherry, der the thing mit einem seiner stŸcke zu ihrem namen inspiriert hat. der renommierte schwedische saxophonist mats gustafsson und das norwegische rhythmus-duo ingebrigt hŒker flaten und paal nilssen-love transzendieren das spektrum herkšmmlicher jazz-trios. neben einem cover von don cherry finden sich darauf songs von the stooges, mf doom, martina topley-bird und ornette coleman. wenn nicht alles tŠuscht, steht mit diesem album die †berraschung des jahres ins haus.(78sfm)

galaxy garden, the latest album by electronic explorer lone, already seems one of 2012s most hyped releases. following our in-depth interview with the man, were handling the uk premiere of a teaser trailer for the album, made by konx-om-pax. its your first chance to hear new music from the record c perhaps the most lasting realisation of lones vision of dance music yet c and it looks stunning to boot. what more could you want? r&s will release galaxy garden on may 5, its lead single crystal caverns 1991 is out this month.

the bands founding members - thorben seiero jensen and sune solund have made it again! - >let this be the last night we care< is the copenhagen outfits third lp to date!

slamming 80s nyc disco classics

the rastafarian roots reggae singer brings a majestic touch to the songs he sings, which are deeply infused with his beliefs. with a sense of reverence that only a solemn, pious man as prince alla could put into song, this collection centres on tracks recorded at lee perry-s black ark studio. having spent his early days living in rasta camps & working as a singer for joe gibbs, it was at greenwich farm that prince alla (born keith blake) crossed paths with tapper zukie who was so blown away by alla-s songs he initiated the recording sessions. this release compiles those songs & their extended versions alongside 3 classic extra cuts, -hail rastafari-, -black roses- & the sublime -royal throne room-.

ibiza clubbing institution amnesia celebrates 21 years of ibiza anthems. amnesia is arguably the quintessential ibiza clubbing experience and one of the main sources of inspiration for why dance music culture has thrived around the world. two massive rooms, one a dark cavernous cauldron and the other an expansive arena that is flooded with light when the sun rises, are guarded by the notorious amnesia ice cannons that could strike the crowd at anytime. regularly voted the best global club at various awards ceremonies worldwide, amnesia is quite rightly considered amongst the best clubbing spaces around hosting the world s leading djs and brands across multiple genres. amnesia is currently home to legendary ibiza club nights such as cream and cocoon and its own infamous espuma (foam) party nights. from open air clubbing in the 1980s with dj alfredo s ecletic mix of house, disco and pop, sparking dance music s explosion in the uk, through to a lead roll in the massive harry enfield movie kevin & perry go large, amnesia is part of clubland history and is a name that resonates with dance music fans across the uk and beyond. spread across a 4 cd set, each cd charts a chunk of amnesia history: cd1 covers 2006-2011 with artists such as swedish house mafia, deadmau5, axwell, above & beyond and ti‘sto, cd2 curates 2001-2005 featuring big names like david guetta, bob sinclar, cassius and the egg, cd3 looks at 1996-2000 with moloko, ultra nate, nalin & kane, three drives and more, and finally cd4 closes with 1990-1995 taking in anthems from robin s, real 2 reel, orbital, bucketheads and sven vath.

jeff mills once again indulges his passion for classic sci-fi with this 2cd re-imagining of the score to harry kleiner s titular 66 flick. it follows his -cyborg 2087- recreation and imaginary soundtracks for -the power- and -the occurence- with a deep voyage of discovery. but unlike the aforementioned, the original film plot - about a team of scientists who re miniaturized and dispatched inside a human body to fix a blood clot - thematic scales are inversed and we re drawn to mills inner, as opposed to outer, space-scapes. the action unfolds across 22 tracks and 2 cds, from bleepin, womb-like viscera and hazardous noise bursts through archetypal rhythm arrangements and fluid programming reflecting the man/machine, organic/synthesized themes of the film and his own alien/human aesthetic. it s wonderful to witness mills maturing as a composer and refining his art to something beyond a soundtrack for dancefloor rituals, but without ever losing his original blueprint, and showing that the line between cinematic imagination and dancefloor functions can be a very fine one.

incl bonus disc of covers, instrumentals & rarities

deluxe edition - includes previously unreleased tracks...

when david essex sang -gonna make you a star-, he knew what he was talking about because he d already been there. and -the best of david essex- showcases his star quality to perfection, delivering all of his smash hits from the seventies, including -hold me close-, -rolling stone- and the classic -rock on-. a superstar from a golden era of pop.

gits album -imagination- could be described as an experimental design with roots in underground hip hop. gits musical style may be hard to pin point. his love of drums set the foundation for his sound: driving, percussion heavy productions anchored in traditional hip hop, with an experimental streak. his sound has many flavours and is not to be boxed in one label. one of the goals of this album is to fill the void that pop music has left. -imagination- will remind us that talent and emotion can still be found in music today and one not always needs a million dollar budget to make good music. if you like music that is raw, pure and speaks from the heart then you will love this project.

gem club is an exclusive society: two people, a piano, and a cello. vocalist christopher barnes sings in a quivering whisper, and these minimal accompaniments assure that their sound never becomes louder than a hush. but the massachusetts duo s debut ep, acid and everything, showed just how much emotional intensity you could pack into compositions so spare, and how much could be suggested with so little. everything on breakers, their first full-length, sounds frozen over: icy, quiet, austere. you know that eerie feeling when you find yourself alone in a huge public place that s usually crowded-- maybe a shopping mall or a playing field- but at that moment is totally empty? this record sounds like a sustained version of that feeling. -i heard the party- juxtaposes echoing piano chords and a general sense of unease (-no one could have told you / your body would fail you-) with the refrain -i heard the partys here- floating across the track like the sound of dried up laughter. the word -party- feels so out of place in a song so pensive and lonely that there s something jarring about the experience. the feeling crops up repeatedly on breakers: a sense of slow-motion detachment, a suggestion that there were signs of life here once, but you ve arrived a couple of hours- or maybe a couple of weeks- too late.

mindtrick records proudly presents the new album by hollands favourite hardcore artist charly linch. after two previous releases on the label he is now ready to drop his full length. on filthy pleasures charly linch combines the fierce sound of uk-hardcore with the harder elements of drum n bass and gives it his truly unique spin. he doesnt shy away from using old-school rave samples and ridiculously filtered gabba-kicks, without it becoming comical or cliched. on this album he found the perfect balance between creating an album that is banging on the dance floor, yet intriguing enough to be listened to in the comfort of your own home. this releases offers a wide range of genres for those seeking out where harder music is going, ..it could do with some more cowbell!

byetone s new record symeta opens with a combined track - a transit - since topas and telegramm could be seen as one single piece. both tracks convey the atmosphere of a live session rather than the character of a studio production. the tracks are quite long and deal with repetition, layers of sounds, density and energy, more than melodic and engineering finesse. the whole album follows this approach, as it was fashioned within the context of live performances during the last two years. neuschnee Ð the third track Ð has an obviously reduced tempo, creating a wide landscape of sound with an intimate aura, which works as a counter draft to the other tracks of the record. with opal, the tempo speeds up again, a polyrhythmic phrase whirls around a straight beat, filters are turned, all that evokes the impression of early-90s minimal techno. byetone is basically interested in remembering, in a way to preserve, in citing rock/pop styles, without getting stuck in the past, whereas non of the tracks really fit into a specific genre. seen from this perspective, helix opens the final, more rocky block of the album. here, the tracks are offensive and rude and sound like a band in a rehearsal room. this part peaks with black peace in a high speed heavy metal session. finally, golden elegy closes symeta and a band-like situation occurs. the track ends with a wired lament, presented by jan kummer in the tenor of chemnitz, hometown of both artists. in former gdr-times, they started their musical activity with the brilliant-dilettantish ag geige, together with frank bretschneider (komet). symeta , the title of the album, appears mysterious. this synthetic word arouses associations with symmetry, synthesis or (meta-)structures. it doesn t stand for a definite object, there isn t any solution, and that is the reason why the title has been chosen. byetone s music tries to create such associations without really fulfilling these expectations. in this sense, symeta consequently follows death of a typographer (r-n92), the well received predecessor.

raise the curtain once more on a very special orchestral performance. how could highgrade records better celebrate its 100th release than with twelve tracks from the highgrade disharmonic orchestra? the creative combo featuring both label bosses tom clark and todd bodine, alongside philip bader, daniel dreier and dale, began over a year ago with the intention of celebrating the tenth birthday of the berlin label. and the resulting gift: a musical experiment. the five artists have bundled their creativity together into a symphony unparalleled in the techno scene. every performance is like a jam session: all five laptops are interconnected, so each of the artists has the opportunity to react to the others and modify each track as desired. thus, new arrangements are created and constantly re-interpreted. drum machines and synthesizers are also in play, to further stretch the improvisational possibilities. no wonder then, that the 100th release follows in this creative vein. the highgrade disharmonic orchestra, with multilayer, kiddnaps us away into vastly different musical worlds: from deep influences and custom recorded vocals to an array of technoid sounds and effects. then back to groovy, swinging beats reminiscent of a balmy summer evening on the beach. therefore the record is something of a rollercoaster ride, where we never know what might be waiting behind the next curve. typically highgrade

the album title, as you might know, means >through hardships to the stars<, and that is precisely wareikas motto. you could say, that the trio from hamburg is the hardest working bunch in the music business.

ex-harry pussy guitarist bill orcutt s 2009 side a new way to pay old debts was an instant classic for those attuned to his brand of stomach-scrapingly raw, hoary blues improvisation. few could have expected the album to be subsequently issued on cd by editions mego, but the more you thought about it the more it made sense - though all-acoustic, orcutt s music is every bit as extreme, violent and threshold-testing as that of, say, florian hecker, russell haswell or mika vainio. as if to prove it wasn t a token gesture towards eclecticism, mego boss peter rehberg has signed a brand new album from orcutt, and what an album it is. for the most part it s in that visceral, coruscating style that he s best known for, all finger-bleeding fretboard assaults that manage to sound at once virtuoso and completely out-of-control, reaching a psychotic climax on the visible bosom: but there are some more reflective passages too, hell, the title track might even be the most chilled thing he s ever recorded. the album was cut at d+m in berlin, which really teases every last drop of blood, sweat and tears out of the recording, which took place at orcutt s home studio in san francisco in spring of 2011. brutal, bludgeoning but incurably romantic, how the thing sings demands your steadfast attention. mind-blowing.

2008 mini lp sleeve reissue of this album from serge gainsbourgs right-hand man jean-claude vannier, originally released in 1972. recorded during the same sessions as gainsbourgs highly acclaimed masterpiece melody nelson it follows in a similar avant-garde rock-opera vein. lenfant assasin des mouches (the child fly-killer) is a supernatural tale written by gainsbourg depicting the journey of the young child travelling through a nightmarish -fly kingdom-. vannier narrates the story with sparse music concrete sounds coupled with choirs, funky beats, cowbells, wah-wah guitars and ethnic strings. comparisons could be made with some of frank zappas hot rats material and alain goraguers creepy le planet sauvge.

in watch me dancetoddla t has created a dubwise, street-soul masterpiece, and to ensure it was everything toddla envisaged it could be he s carefully selected an impressive line up of friends, peers and musical icons to guest vocal, co-produce, remix, co-write with him on the album. names including previous collaborator roots manuva, fellow dj, producer and remixer skream, ms dynamite, ross orton, wayne marshall, timberlee, roisin murphy and shola ama.

mighty clouds is a brand new project that finds thomas re-teaming with betty marie barnes, a talented singer who provided vocals for slgtms every night and fill up the room.the result is a collaboration of the sort that can only occur when two musicians connect on a level that goes beyond the songs they are performing. throughout mighty clouds self-titled debut, thomas and barness musical camaraderie generates a gentle electricity that exudes intimacy and beckons the listener to move in for a closer listen.

wieder einmal taucht die englische plattenschmiede soul jazz records tief ab in die archive von studio one records, dem wohl beruehmtesten reggae-label. -studio one dub 2- vereint einige der schoensten dub-versionen von songs wie marcia griffiths -feel like jumping-, sound dimensions -real rock- und -declaration of rights- von den abyssinians. in den spaeten 1960er-jahren begann studio-one-labelbetreiber sir clement coxsone dodd die b-seiten seiner singles mit einer instrumentalversion fuer djs zu versehen, damit diese ueber die original-rhythms toasten konnten. versehen mit echo, hall und verstaerktem bass wurden diese dubs bald genauso beliebt wie ihre originale. bald darauf begann dodd mit seinem soundmixer sylvan morris eigene dub-alben mit innovativen dubs und mischtechniken zu veroeffentlichen. auf -studio one dub 2- finden sich jetzt stuecke dieser alben sowie einige klassische versionen der urspruenglichen singles.

on his 2011 album field songs, iowa troubadour william elliott whitmore documents a vanishing american landscape with all the heartfelt soul and quiet fury one could hope for. -heartland firebrand blows fuse, fights for truth- heralded spin magazine when describing whitmore, who utilizes a powerful singing voice beyond his years and a stark dramatic sound rooted in bluegrass, blues and folk protest music. these songs vividly evoke a life of struggle, humble resilience and family bond inspired by life on his familys farm along the mississippi river. whitmore has made a name for himself both within the punk movement, where his populism and sincerity resonate with alienated urban kids, and the roots community, where writers like andy downing in the chicago tribune have placed him within the -new pastoralism- of bon iver and the fleet foxes.

fresh modern indie dance influenced electro pop / electro

dj diamond is 24 year old karlis griffin from the west side of chicago. he has been producing music since the age of 13 and djing since 20, heading the -flight muzik- clique of footwork producers. you might recall his two tracks from our -bangs & works vol.1- footwork compilation of last year. in addition hes also released several mix cds in chicago, but this, his first international album showcases his unique style of footwork music. dj diamond is a unique producer with his own distinct style and an unusual ear for unexpected sonic and rhythmic combinations within the footwork template. often he thoroughly edits samples into tiny trance-inducing, techno-like stabs. combining this with a penchant for neon synths and loose, broken drums (that are often more effect-laden and freeform than those of of his peers) and you have a sound which has an intriguing, deeper, dreamlike feel. the breadth and quality of his production is clear when you listen to this album. take opener -rep yo clique-s woozy drawling synths and tribal tom patterns next to -speakerz n tonguez- with it-s snapping snares, minimal, repetitive voice samples and martial, detailed drum work. then a track like -torture rack- which is like grime in outer space: a minimal bassline and some samples from a computer game, while a bass kick stumbles at half time, swarms of percussive detail giving it drama. its a brilliant exercise in wonky tension. the extraordinary -decoded- comes across like a kind of amalgam of trance and prog rock bombast at 160bpm while -wreckageÕs- high pitch saw noise is like a strange metallic bird-call, over light cymbals, gabba-like kicks and metallic claps. -digimons- harmonic microedits could even be an snd track transported to chicago. finally the albums closer -i choose you- rolls out over a heavily edited and processed soul sample, its drums rolling off at odd angles to almost seasick effect.

by the age of 15, david rodigan was djing at school dances and youth clubs. the infectious, crazy back beat of jamaican ska first captivated him as a teenager in the mid 60 s, it was a driving, energetic sound which he found impossible to resist. when the pace cooled down and condensed into rock steady david was equally enamoured because the sweet, aching vocal style of jamaica s young stars could be heard to full effect.

amiable new york city-based alt-rockers spin doctors hit it big in 1993 with the jam band hits -two princes- and -little miss cant be wrong,- both of which fueled many countless collegiate afternoons spent hacky sacking and devil stick juggling amidst a sea of red plastic cups. released in 2011, the best of spin doctors, which doesnt differ too much from 2000s just go ahead now: a retrospective or 2009s playlist: the very best of spin doctors, features 18 tracks culled from the groups three albums for epic. front-loaded with the groups two biggest, aforementioned hits, the collection loses steam as it progresses (though there are some tight, 70s-inspired nuggets to be found like -mary jane- and -cleopatras cat-), due in no small part to the groups penchant for always staying in its comfort zone.

sine music released the second album by merge of equals entitled submerge. the album will be available on cd and at all well known download stores. as the title suggests: listeners of submerge dive deep down into the sound-world of flavio maspoli. this versatile, multifaceted artist and producer from zuerich caused a sensation in the european music scene with his debut creation intoxication and now, with his new album, puts the listener, already with the first track, into a kind of rapture of the deep. the world is one could well be the credo of this new album submerge. with titles like tvija lijubov, biya, opium or atesh mystic and exotic tones taken from a wide variety of cultures fuse with modern beats and futuristic electronic sounds to enter a new symbiosis. the captivating vocals in varying languages of the guest vocalists gina estrada, sitta foehr, jelena schweizer, katt tait and kotomi bisang-mori guarantee a very special multi-cultural deep-sea dive while discretely enhancing the established chillout and lounge paths. even the classic bar chillout lover will be rewarded with tracks such as kleine wolke or heart & mind. the artist describes this new slot he has created as >magic chill•< offering a balance separate from prevalent trends.

underwater techno. that could be >leaning over backwards< in just two words. tobias freunds debut album for ostgut ton also serves as the longplayer introduction for his tobias. moniker, gives a fascinating and profound insight into his special world of music and sound science.

in june 2011 dj phono will release his first album on hamburgÕs record label diynamic. Òwelcome to wherever youÕre notÓ is a work of heart, of emotions of awakened, flourishing, and unrequited feelings. itÕs something of a kind that could neither be accomplished within a nights work nor even in a cycle of nights, but only in good time. dj phono and his producer jimi siebels (a different jimi / egoexpress / its records) allowed themselves to take this time, two years, to be precise

2011 two cd compilation including tracks from jane monheit, stacey kent, clare teal, ranee lee, maureen mcgovern, joe coughlin, and jamie cullum. the tracklist includes classic works by master composers gershwin, antonio carlos jobim, charles trenet and bill evans amongst others, the album also includes jazz covers of popular songs from the beatles, cat stevens and joni mitchell.

no other music has held such revolutionary possibility as hip-hop and to celebrate 30 years of this innovative genre ministry of sound brings you the latest instalment in our epic anthems series. the inspirational pioneers of this unique culture are all present on this essential release that begins with classic club anthems from artists such as run dmc, a tribe called quest, dr dre, cypress hill and gang starr this anthology is summarised with a taste of where the scene has developed into the modern era with a collection of #1 smashes that still blow up the dance floors across clubs worldwide.

2 cd compilation incl. papparazzi, alejandro, telephone..

in 2010, the world of electronic dance music has startled us with a bigger diversity than ever before. the boundaries of genres have never been this blurry. uplifting melodies meet techno-baselines, house beats dance around with trance and electro influences rock the bassline. to provide dance music lovers an exclusively selected package of the best and most beloved dance tracks of the past 12 months, armada music presents armada presents 101 dance hits - best of 2010. this 3 cd pack represents all the tracks that moved you, grooved you and got you singing along. 101 releases by the likes of chicane, ernesto vs. bastian, hardwell and nervo swing right next to masterpieces by stonebridge, tim berg, w&w and armin van buuren. relive the year 2010 - and start dancing to the armada presents 101 dance hits - best of 2010.

with the duo we love, ellen allien has sought out the golden needle in the haystack of current club music. its almost impossible to resist the charm of the sweet giorgia angiuli, with her alluring brown eyes, and the wild locks of the contemplative, emotional piero fragola. the pairs debut album could become the chorus of the summer. their enchanting songs fuse the ecstasy of club land with the emotions of pop. giorgia and piero moved from the south of italy to florence and immersed their intimate love songs in a synthetic glamour.

>to share and to increase the love, to let the soul speak through the music, is a feeling which can hardly be described with words. with loving, i want to embrace the whole world, because this journey to the origins of electronic dance music in between modern detroit, high tech soul and house is coming from the very bottom of my heart.< (johannes heil, 2010)

many reggae aficionados see the concentrated phase of rock steady between 1967 - 1969 as the carribeans most productive era of all time. never before had such sweet melodies, inspiring rhythms and beautiful love lyrics come together. numerous soul hits by the likes of curtis mayfield, the impressions, the supremes all got the bass-driven, jamaican style treatment.

spŠtestens seit seinem meisterwerk >days to come< mit gastbeitrŠgen von fink oder bajka ist der mann auch Ÿber die grenzen der elektronischen musik ein garant fŸr anspruchsvolle sounds zwischen pop, downbeats, electronic, akustik, soul und funk.

one of the last remaining great french house labels, work it baby celebrates 10 years at the top in 2010.

at its heart, the album celebrates the communal ideal of dance music with spirited, percussive tracks offering a clear distillation of what could only be described as the cadenza sound. but mirko also diverges from the dance floor, ducking into shadowy corners in search of more private emotions. rather than scattering energy, that tension between moods helps bind the album into a potent, coherent whole.

dj ferry corsten, international hit maker, and award winning producer at his very best! featuring behind the scene footage during his shows around the world, including an exclusive backstage interview, plus highlights of the live recording from the massive full on ferry 2008 event, picture gallery and much more! most people can only dream of the life of a successful dj/producer. a life of unlimited luxury, where you spin at the biggest and best parties, and get to visit the most exotic, and beautiful places on the planet! its everything any dance music fan could ever wish for! many people dream about a life like this, but only a very few can actually live the dream. ferry corsten is living that dream! he has successfully managed to transform his love for dance music into a dream job of making music and spinning records across the globe! ferry has topped the worldwide dance charts with hits like punk, beautiful, rock your body, rock and made of love, has won numerous dance music awards, and has organised and presented 3 years running, the wildly successful event full on ferry in his home town of rotterdam. the ferry corsten backstage dvd takes a look at the dream life of one of dance musics privileged performers. a journey that takes you around the world for 6 months leading up to the release of ferrys latest twice in a blue moon album. also watch him as he prepares for the full on ferry 2008 event! take part in his unique experience, his expectations, his dreams and even his fears. meet the team behind ferry and his biggest fans that follow him all over the world! ferry corsten, in the spotlight and backstage!!!

with temporary pleasure smd is creating the first ever-human augmented reality music and visuals mixer. >>augmented reality (ar) is a new medium, which mixes real-world and computer-generated images (virtual reality), making it look like virtual objects exist in the real world. this installation reflects the concepts behind the record - its brief, fun, and how could we resist the chance to augment the reality of the general public? its a technology that the people are going to love!<< smd says.